Author Lee Kofman says: ‘Memoirists write directly about what matters to them, whereas fiction writers may sublimate their experiences and passions.’ The first half of her dictum is certainly true: memoirists are concerned with what matters to them. Whole books are devoted to the second part of Lee's hypothesis. But let’s look at memoir for … Continue reading The Intimacy of Memoir
Tag: Veterans
Putting the Family in Memoir
Flannery O’Connor writes, ‘ … anybody who has survived his childhood has enough information about life to last him the rest of his days.’ If you, like me, write about your family – unavoidable in memoir - how do you do that without hurt? One of my brothers, upon hearing that I was writing about … Continue reading Putting the Family in Memoir
Why Writings and Musings?
I wrote this post for the Elwood Writers blog in October 2021 - view here. The post is in answer to Helen McDonald's questions to us about why we write our individual blogs, and who our intended audience is. Why I Write my Blog I set up the Writings and Musings blog because I wanted to have … Continue reading Why Writings and Musings?
The Inciting Incident
What is the inciting incident that sparks a memoir? This question might apply to fiction writers too. It is any turning point in a life. For memoirists, Kaylie Jones says it's the moment 'the rock came through the window’; the day one's life went ‘careening out of control’. The inciting incident is a great place … Continue reading The Inciting Incident
The Right to Write
In a writing workshop, teacher Kaylie Jones encouraged us to give ourselves permission to write. Busting myths, she said, is what the writer must do. The right to write might be more pertinent to the memoirist than it is to the fiction writer, as for us there is less distance between ourselves and the story. … Continue reading The Right to Write
The Eye watching the ‘I’
Among other skills, US teacher Kaylie Jones runs memoir-writing workshops. At the first one I attended, she explained that the good memoirist uses the omniscient Eye to watch over the more personal ‘I’ of the narrator. In seconds flat, she was at the whiteboard drawing an eye in the sky that observed and informed the stick … Continue reading The Eye watching the ‘I’
Finding that Mentor
It’s said that writing can’t be taught. But why not? Tobias Wolff taught George Saunders at Syracuse University, and look where that got George. All the way to the Man Booker Prize for Fiction in 2017. Saunders speaks admiringly of Tobias, who once warned him: “Don’t lose the magic.” Early in his career, George’s fiction … Continue reading Finding that Mentor
The Interface between Memoir and Fiction
At the launch of Every Second Tuesday, author Lee Kofman observed that certain of the Elwood Writers stories in the anthology exhibited a ‘fascinating’ interface between memoir and fiction. This reflects, I believe, a growing field of writers who are mixing the two genres. Blending them, however, can be a challenge. Debate rages about where … Continue reading The Interface between Memoir and Fiction
Writing Bad
‘But Margaret, you seem so nice,’ a writing colleague said to me. ‘How do you come up with this stuff? Where does it come from?’ I shrugged. First of all, I’m not that nice. Secondly, being a writer is different to being a human being. The human is there to get along in the world, … Continue reading Writing Bad
Plumbline
I was half way through my MA thesis, or so I thought, when my teacher asked: “Margaret, what is your plumbline?” I had no idea - a) what my plumbline was, or b) what a plumbline was. I knew I wanted to write about my torn relationship with my veteran father who’d died in 1976. … Continue reading Plumbline
WRITINGS AND MUSINGS OF MARGARET MCCAFFREY 