The first of mine that comes to mind is ‘The Turf Club’. I had heard the story of my father drinking at a local pub since I was a girl But I wasn’t present at the event, so I had to rely on my imagination to structure it. I wrote it at Borgo San Fedele … Continue reading What is a Favourite Story – of Yours?
Tag: FATHERS
The Intimacy of Memoir
Author Lee Kofman says: ‘Memoirists write directly about what matters to them, whereas fiction writers may sublimate their experiences and passions.’ The first half of her dictum is certainly true: memoirists are concerned with what matters to them. Whole books are devoted to the second part of Lee's hypothesis. But let’s look at memoir for … Continue reading The Intimacy of Memoir
Putting the Family in Memoir
Flannery O’Connor writes, ‘ … anybody who has survived his childhood has enough information about life to last him the rest of his days.’ If you, like me, write about your family – unavoidable in memoir - how do you do that without hurt? One of my brothers, upon hearing that I was writing about … Continue reading Putting the Family in Memoir
The Inciting Incident
What is the inciting incident that sparks a memoir? This question might apply to fiction writers too. It is any turning point in a life. For memoirists, Kaylie Jones says it's the moment 'the rock came through the window’; the day one's life went ‘careening out of control’. The inciting incident is a great place … Continue reading The Inciting Incident
The Right to Write
In a writing workshop, teacher Kaylie Jones encouraged us to give ourselves permission to write. Busting myths, she said, is what the writer must do. The right to write might be more pertinent to the memoirist than it is to the fiction writer, as for us there is less distance between ourselves and the story. … Continue reading The Right to Write
The Eye watching the ‘I’
Among other skills, US teacher Kaylie Jones runs memoir-writing workshops. At the first one I attended, she explained that the good memoirist uses the omniscient Eye to watch over the more personal ‘I’ of the narrator. In seconds flat, she was at the whiteboard drawing an eye in the sky that observed and informed the stick … Continue reading The Eye watching the ‘I’
Finding that Mentor
It’s said that writing can’t be taught. But why not? Tobias Wolff taught George Saunders at Syracuse University, and look where that got George. All the way to the Man Booker Prize for Fiction in 2017. Saunders speaks admiringly of Tobias, who once warned him: “Don’t lose the magic.” Early in his career, George’s fiction … Continue reading Finding that Mentor
Plumbline
I was half way through my MA thesis, or so I thought, when my teacher asked: “Margaret, what is your plumbline?” I had no idea - a) what my plumbline was, or b) what a plumbline was. I knew I wanted to write about my torn relationship with my veteran father who’d died in 1976. … Continue reading Plumbline
Making a Scene
‘Keep the drama on the page,’ says Julia Cameron, author of The Artists Way. She means make your work dramatic, not your life. In drafts of my writing I see I have a series of themes and anecdotes, but not so much the stuff of drama. Take a recent story about my working on Dad’s … Continue reading Making a Scene
Fathers Day
Elwood Writers are going to be on the radio again! This time it’s for Fathers Day 2017. My group, Jenny, Barry, Helen and myself will be shining a light onto many facets of fatherhood through a selection of our literary work, including pieces of poetry, fiction and memoir. Our stories will be broadcast on the Cover To Cover program, Vision Australia Radio on … Continue reading Fathers Day
WRITINGS AND MUSINGS OF MARGARET MCCAFFREY 