At Elwood Writers we are preparing our stories for Cover to Cover, a literary program broadcast on Vision Australia Radio. On this occasion Helen, Barry and I are choosing a selection of our pieces, including past favourites. 'The Writers' Choice', as we've named it, has no set theme, although one does inevitably emerge. A hint: … Continue reading Reading for Radio
Category: Writing Process
Writing Friendship
Chuck Palahniuk (Fight Club) says that ‘life only makes sense in retrospect’. My story ‘For Jane’ began some years ago when I wanted to write about the endurance - or otherwise - of friendships. Author JG Ballard maintains that friends only become so when they have a secondary experience in common. We six friends shared our … Continue reading Writing Friendship
Anzac Day for Writers
Poet and novelist, Ocean Vuong, whose mother was a child of the Vietnam War, has said that all literature is the history of war*. He need not be taken literally, although I tend to do so. More broadly though, we may agree that literature relies on conflict or inner tension for its existence. Sometimes with … Continue reading Anzac Day for Writers
The Procrastination of Writers
I'm doing it now. Procrastinating, that is. I have my notebooks out, my laptop at the ready. I know what I have to do to dive into the next section of my short story. Instead, I'm doing a post - which I love - and reading about the latest election results here or overseas, and … Continue reading The Procrastination of Writers
What is a Favourite Story – of Yours?
The first of mine that comes to mind is ‘The Turf Club’. I had heard the story of my father drinking at a local pub since I was a girl But I wasn’t present at the event, so I had to rely on my imagination to structure it. I wrote it at Borgo San Fedele … Continue reading What is a Favourite Story – of Yours?
The Intimacy of Memoir
Author Lee Kofman says: ‘Memoirists write directly about what matters to them, whereas fiction writers may sublimate their experiences and passions.’ The first half is certainly true: memoirists are concerned with what matters to them. Whole books are devoted to the second part of Lee's hypothesis. But let’s look at memoir for a moment. Lately … Continue reading The Intimacy of Memoir
Journaling
Writing in a journal is not for everyone. But then again, neither is writing. For those of us who do like to write, journaling can be appealing. Of late, I have returned to the practice of free-hand writing in my notebook. It’s been a hopscotch couple of years as the pandemic endures. Maybe because it’s … Continue reading Journaling
Slow Writing
Wiradjuri writer, Tara June Winch, gave this advice to entrants for Australia's SBS Emerging Writers' Competition in which she is a judge:"When you read your story aloud, when you edit and read it again and again, your work becomes the fire pit reflected in your eyes.' To read more about the competition, View here. The … Continue reading Slow Writing
The Eye watching the ‘I’
Among other skills, US teacher Kaylie Jones runs memoir-writing workshops. At the first one I attended, she explained that the good memoirist uses the omniscient Eye to watch over the more personal ‘I’ of the narrator. In seconds flat, she was at the whiteboard drawing an eye in the sky that observed and informed the stick … Continue reading The Eye watching the ‘I’
Reading for Writers
Before I began writing myself, I read novels primarily for the story. In fact, I revelled in the tale. Even after dissecting themes for my studies in ‘great’ literature, I still craved a good story. Later, while studying creative writing, I heard another student declare that she only reads these days to see how the … Continue reading Reading for Writers
WRITINGS AND MUSINGS OF MARGARET MCCAFFREY 