Flannery O’Connor writes, ‘ … anybody who has survived his childhood has enough information about life to last him the rest of his days.’
If you, like me, write about your family – unavoidable in memoir – how do you do that without hurt? One of my brothers, upon hearing that I was writing about our WW II veteran father, asked when he could sue me. He was joking – sort of. The final draft of my memoir is a long way off yet, so he’ll have to twiddle his thumbs for a while longer before rushing to the courtroom. Inevitably though, my family will come into my story. The tale would be much diminished without my brothers’ whacky anecdotes and differing perspectives.
On writing about others, non-fiction guru Lee Gutkind advises the narrator to present herself with a degree of irony. In this way she may become as much the perpetrator of misdeeds as she is the victim. These days I understand that when my father was dying, I could have simply held his hand. No matter his attitude towards me – asking where Mum was and telling me off (as I saw it) – I could have acted with grace instead of inwardly railing against him. His behaviour had often challenged me, but nowadays it’s my job to comprehend our dynamic and my part in it. Long dead, he can’t change, but I can – at least at the heart level.
You can read about the last day I spent with my father here. The piece was published in Clairitage Press, a US blog curated by Karen Dustman.
With my role as narrator in mind, other family members may become mere ‘bit’ players to the interplay between me and Dad. The function of my brothers (and mother) is to highlight the humour and conflict, and to allow a more spherical approach to family life. In this sense my younger siblings are the support act to the main event. They provide an easeful – if noisy – chorus to the central theme of the see-sawing father and daughter relationship
With thanks to Ms O’Connor for her writerly reminder about the richness of childhood, I write this in the further hope of getting mine – subjectively – right.
Hi Marg, the vivid scene you painted strikes my heart
LikeLiked by 2 people
Thanks, Mary. As subject close to our hearts!
LikeLiked by 1 person
What an interesting post, Margaret. I loved reading the Clairitage Press story. And it’s a nice bonus to hear more about your thoughts on writing. ‘Just keep writing’ is a good thing for us all to keep in mind.
LikeLiked by 1 person
Using Reader, Barry.
LikeLiked by 1 person
Nice one.
LikeLiked by 1 person
Barry, good to read that you liked the post. Thank you for commenting.
LikeLiked by 1 person
So interesting to read how your family members fit into your memoir Margaret, the chorus to your central theme. Your extract in Clairitage Press is incredibly poignant – it really is pivotal to your memoir and you have nailed it for me. Changing your emotional response to this last day, as an adult looking back, really strikes a chord. Congratulations on being published and the interview.
LikeLiked by 1 person
Thank you for reading this, Helen. An adult looking back. I like that. Do we ever grow up? (Ha ha.) Let’s hope.
LikeLike
Thanks Margaret — interesting and reassuring, I like Lee Gutkind’s advice to write about oneself with a degree of irony!
LikeLiked by 1 person
Love the way you think and write. Where can I find a ‘follow’ button? I looked around with no luck …
LikeLike
Thanks, TCL. I’ll get on to my ‘IT guy’. More soon.
LikeLiked by 1 person
Dear TCL, it should be working now. Can you see it?
The best of the new year to you.
LikeLike